The Face of Fear on Stage

The author in this work reminds that in examining and formulating the fears of the Iranian subject, the focus is not on the fears directly mentioned in the dramatic literature of this period, especially in plays. Rather, the goal is to understand the fundamental fears that cannot be reached through simple reading and initial analysis, but only through precise scrutiny and scientific analysis. In this process, the effort has been made to achieve a precise analytical method before reading plays and, more generally, the dramatic literature of this era, so that all works can be assessed with a unified analytical approach.