Hagigh Vagheer

Hagigh Vagheer is a play based on Iranian rhythmic chanting that humorously references a part of Iranian history during the Qajar dynasty. The author, Soheil Maleki, who is seriously engaged in acting and playwriting, also has skills in painting. He utilizes the Qahveh Khaneh (coffeehouse) painting style, reflecting his interest and expertise in this artistic field. This play, Maleki’s third dramatic work, is, according to the author, a free-spirited take on rhythmic chanting known as Rouh Vazi. Behind the humorous and occasionally historical narrative, popular songs and proverbs of the era are employed, indicating the author’s deep research and extensive study. The story tells of two brothers living with their wives, mother, and the brother of one wife under one roof. The plot begins when one brother is wrongly and destructively accused of poisoning the king of Iran, Naser al-Din Shah. The shah and his court intend to eliminate him, leading both brothers to desperate attempts to escape, which complicates and adds comedy to the story. The timeline is precisely one week before Naser al-Din Shah’s death, giving the audience a better understanding and connection to the events. The use of specific terms, unique costumes, and strong atmospheric depiction are key features of this play. Combining humor and rhythmic chanting centered around Naser al-Din Shah, who had peculiar and sometimes humorous episodes in his life, creates an interesting theatrical mixture. The author’s clever choice adds extra appeal to this dramatic work.